![]() He was constantly pushing the limitations of the medium, reinventing the genre with every new movie he released. Vertigo still holds up perfectly today thanks to the movie’s timeless narrative and hugely advanced filmmaking techniques, which cemented Hitchcock as the most talented director of his generation. Stewart’s turn as Detective Scottie was arguably the best of his career, offering a disturbing insight into human psychology and exploring these dark ideas on-screen. Vertigo tells an extremely complex and precise narrative with interweaving subplots and many unpredictable twists that are compelling from start to finish. The film chronicles Detective John “Scottie” Ferguson’s growing obsession with his friend’s wife, whose strange behavior finds her the prime suspect in a mysterious investigation. Vertigo was the final collaboration between Hitchcock and Stewart, but the pair definitely sent their professional relationship out on a high. ![]() There’s a reason that Rear Window is considered among the best murder mysteries ever made, proving that Hitchcock and Stewart can’t be topped. Stewart and Kelly have a brilliant on-screen relationship, adding a whole new layer of humanity and vulnerability to this story. With 98% on Rotten Tomatoes and a secure position at #49 on IMDb’s Top 250 Movies of All Time, it’s hard to argue with the critical adoration of this Hitchcock project. Rear Window is widely considered Hitchcock’s most inventive and creative project ever, as he uses several new filmmaking techniques and perspectives to bring this story to life in a way that had never previously been done. Jefferies, whose pathological curiosity suddenly makes him the sole witness of a deadly crime that took place in the building opposite his apartment. Stewart plays an injured photographer named L.B. Rear Window was a formative neo-noir that helped Hitchcock develop his reputation as the master of suspense. From the layered narrative to the revolutionary filmmaking, everything about the movie was massively influential and can still be seen consistently in modern thrillers. Starring James Stewart and Grace Kelly as two happenstance witnesses of a brutal murder, Rear Window is among the most critically-acclaimed thrillers ever made. RELATED: Why Alfred Hitchcock Made Psycho In Black And White The film sits at 92% on Rotten Tomatoes, proving just how strongly those same critics feel about this inventive project. It has quickly become the go-to example of how to effectively build tension and apprehension within the genre, which led to several critics citing it as Hitchcock’s most important movie. It was revolutionary for its time, and despite only grossing $10,000 worldwide (via Box Office Mojo), Rope had an immeasurable influence over the cinematic medium. Stewart plays one of Hitchcock’s most intelligent characters, navigating this mystery in a way that allows the viewer to play the game alongside him. The film is also famous for Hitchcock’s experimental use of the one-shot, which gives this story an incredibly tense atmosphere to match its unsettling narrative. It’s one of the actor’s most impressive performances, using a wide range of emotions to convey the unconventional relationship between these three men. ![]() Stewart plays Rupert Cadell, the dinner guest who eventually busts his friends’ crimes and discovers what they’ve done. Rope marked the first on-screen partnership between Hitchcock and Stewart, telling the story of two young men who commit a murder and then attempt to hide the evidence from the guests of their dinner party. Hitchcock remaking The Man Who Knew Too Much was a great decision (both critically and commercially), but there’s just a lack of ambition that holds it back from rivaling his other collaborations with Stewart. It revels in its own simplicity, not quite striving for the twists and turns that made the director’s more beloved movies so impressive. The Man Who Knew Too Much sits at 87% on Rotten Tomatoes, and while that’s a hugely impressive score for such a dated thriller, it doesn’t quite hold up to the rest of Hitchcock’s widely-acclaimed works. He expertly grounds this far-fetched narrative in reality with a relatable performance that makes it easier to trust his character. Stewart plays protagonist Benjamin McKenna, a holidaying American who finds himself caught in the crossfire of this complex conspiracy. It’s actually a remake of Hitchcock’s hugely underrated movie of the same name, which tells the story of a group of killers who conspire to take down the witnesses of their latest crime. ![]() Despite sitting among Hitchcock’s lesser-known projects, The Man Who Knew Too Much is a perfect example of how the director was able to turn a simple premise into a fascinating, thrilling adventure.
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